影视/广播, 本领域期刊类期刊, -365足球

this article focuses on two miniseries written, directed and produced by hugo blick, the honourable woman (2014) and the english (2022). both series are partially set in colonised regions – present-day palestine and the nineteenth-century united states, respectively – and have upper-class white heroines who are citizens of colonising countries: they are british-israeli and british, respectively. in

this article analyses the deconstruction of the superhero film subgenre by examining the demystification of the idealised hero figure and exploring their darker sides. using friedrich schleiermacher’s hermeneutic circle and jacques derrida’s deconstructionism applied to the analysis of the boys (2019–present), the study reveals that the series’ superheroes, portrayed as villains, display behaviours

this article examines british screen content consumption among young audiences aged 16–34 in four european countries: denmark, germany, the netherlands and italy. it suggests a reconsideration of content flow theories that maintain ‘home advantage’ for domestic content, followed by shows from culturally or linguistically proximate countries. the research reveals a shift among younger viewers towards

this article investigates the media entertainment habits of norwegian teens and the strategies employed by domestic media organisations to attract them amidst competition from transnational streamers and social media. drawing on interviews with media professionals and teens, we analyse how the notions of ‘home advantage’ and cultural proximity hold up in a media environment defined by abundant global

the bbc flagship continuing drama eastenders (1985-) is widely accepted as an exemplar of the ‘entertainment-education’ approach, embodying a strong public service ideology and rooted in reithian values. in this paper, i explore the definitional role of the programme in addressing environmental issues in the digital age and argue that this is a novel opportunity to examine the limits and possibilities

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the emergence of free ad-supported television (fast) services has been growing in the streaming television market. in contrast with subscription video on demand (svod) services, fast rely on library programming to draw in viewers. functionally, this is an evolution of the linear television practice of syndication and remediates existing, successful television practices. culturally, it serves to preserve

this article argues that in order to adequately understand what motivates viewers’ desire to become viscerally uneasy when watching the subgenre of cringe comedy, one must enlist the help of the later sigmund freud and jacques lacan, whose work underscores a drive toward self-sabotage that exists beyond the pleasure principle. it demonstrates the fruits of this interpretive approach with a close reading

in 2017, netflix announced that it had entered into an exclusive multi-year development deal with award-winning american producer and writer shonda rhimes. under this deal, all of rhimes’s future productions (made under her company shondaland) would be netflix originals. this article examines bridgerton and queen charlotte to consider how the traditional period drama has been transformed, in this case

previous studies of eastenders (1985-present) have focused on important feminist and queer scholarship or topics including class and ethnicity. likewise, previous quantitative and qualitative analyses of the programme have been largely skewed towards female spectatorship. the significant male viewing demographic within audience research has been comparatively underrepresented. taking an autoethnographic

while soap operas typically focus their storylines on human characters, animals serve significant roles in them too. focussing on the most common animal in the series – dogs – this analysis examines the functions animals play in eastenders (1985-present), foregrounding species-based hierarchies and popular culture’s normalised anthropocentrism. the focus here is on how pets function as symbols of the

this provocation details varied perspectives of the international women’s broadcasting histories (iwbh) network on researching the role of women in broadcasting. the conversational form allows us to roam across the topic widely, to express a range of discrete positions and distinct arguments, with the desire to bring dilemmas to the surface and explore their implications without reduction. responding

the deaths of long-running, elderly characters offer up a chance to consider the ebb and flow and circular nature of soap narratives. this article uses the deaths of three of eastenders ’s matriarchs to think about the soap opera’s use of aesthetics and space, alongside its layering of memory. pat butcher, peggy mitchell and dot cotton’s deaths – two on screen and one off – saw the programme intensify

this article focuses on eastenders ’ fan responses to the storyline known as ‘the six’, which began with a flash-forward in an episode aired in february 2023 and involves six female characters faced with a dead body in the local pub, the queen vic. it argues that ‘the six’ can be read as a form of ‘event television’ which highlights the show’s attempts to innovate within the soap genre, to set up a